Start the pilot.

No pitch deck to sit through, no campaign to fund up front. One film, a number you can decide on in a meeting, and a director who already knows the story. Here's exactly what a yes looks like.

The shape of it

Calm, specific, and over in two days.

You point us at one engineer who carries Radial on the rider. We handle the rest: the shoot on the road, the half-day at the bench, the cut. You see a pilot that proves the format and a set of selects that work everywhere you already publish. If it lands, the slate is right there. If it doesn't, you have a film and you keep the footage.

The filmThe Rider, a 6–8 minute documentary pilot
The shootTwo days · one on the road, one at the bench
You provideOne engineer, access, the box that came home
You getPilot · launch reel · social cuts · stills
You ownThe masters and the footage, outright
The number$25K – $75K, depending on travel and scope
An open production notebook with a red pencil and a small contact sheet of film frames on a warm-paper desk.
Where it starts

A notebook, a red pencil, and one decision.

Every film here starts the same way. Someone writes down what it's about before anyone rolls. That's the call we'd love to have with you next.

Direct line

Talk to a person, not a portal.

Send the note below, or reach out to whoever owns the story on your side. We'll come back with a short treatment for the pilot and a single page on cost. No deck, no follow-up sequence.

For RadialDylan Bubel · Content
FromBoring Stories · boringstories.io
SubjectThe Rider — pilot treatment

Concept form · not wired to send in this preview.